Tale Older than Time

Beauty and the Beast? I'm going to do that thing where you say 'Ah! That's a bit like Jesus, that is.' Sorry.

So Adventure Girl and I finally went to see the new movie version. The 90s cartoon version was her favourite film as a little girl, and the movie took me back to hazy Sunday afternoons slumped on the sofa, catching up on sleep while my little girl with her endless energy spun around the room in her somewhat torn yellow Belle dress, the songs whirling through my dozy, tiny-children-sleep-deprived head. As I watched the new film, some of these words came back to me, conjuring up the taste of yearning the story always left me with. I want adventure in the Great Wide Somewhere, I want it more than I can say, Belle sings to a sweeping backdrop of stunning mountain scenery. It struck me that in our lives we are all longing for the great wide somewhere, we are all looking for the big adventure, all drawn towards the soul-level keening for more, and that every story we tell reflects this hidden truth deep within humanity: We are made for more.

Jaded cynics' comments regarding Stockholm Syndrome aside, I thought about some of the themes in the film and wondered why they always grabbed hold of me so. I think the central motifs are of redemption and restoration. Here we have a prince, a bit of a nasty piece of work by all accounts, selfish and rude, turning away an ugly old hag begging for shelter and getting something of a shock when she morphs into a fearful - if beautiful - enchantress and curses him and the entire castle in one fell swoop. It's only when and if he learns to love that they will be released from their bonds, she says, but he'd better do it by the time this rose drops its final petal. So we get the rather grumpy beast who can't find it in him to treat people very nicely, including Belle's father and Belle herself when they drop in. Belle, of course, is a poor village girl, shunned by others for being 'different'. Adventure Girl always liked her the best of all the Disney Princesses 'because she has some sass about her'.

You know the story - Beauty melts Beast's hard heart. You see it beginning to soften, amid the harshness of perpetual winter over the enchanted castle. Love is doing its unique thing, weaving around hearts and minds with transformative power, leaving little room for doubt or fear. And this is where it differs from the norm, where justice is done and the baddies go down: this baddy is changed. This baddy is redeemed. He's given another chance, grace is extended to him freely and gloriously as Belle makes the decision to forget his previous bad behaviour and love him anyway.

You can see where this is going...

That unconditional love is something we can all grasp hold of and all be changed by, poured down over us like morning dew. God is all about redemption. Second chances. Lavish grace.

And then there's the restoration, the dazzling, triumphant restoration. As the beast is transformed, not only back into human form but into something different than before, something softer, something capable of love - so the enchantment is broken and the castle is set free. The imagery is startling; dark grotesque gargoyles utterly remodelled into golden, stunning eagles and angels and cherubs, broken pieces fallen to the ground in the misery of despair and disrepair swept up and re-attached to where they belong, reminding me of a passage in Isaiah:

They will rebuild the ancient ruins
  and restore the places long devastated;
they will renew the ruined cities
    that have been devastated for generations.

The sense of joy as the ruins are rebuilt and renewed is tangible. The castle is set free from its bondage to decay, from its constant winter, and spring comes quickly, flowers opening in delight all over the awakening gardens, darkness fleeing in the face of the light flooding in. Things are put right, restored to their former glory and beyond. The beast is given a garment of praise instead of a spirit of despair. Even the enchantress is redeemed in the new version, breaking the spell herself even when it seems too late, even when the final petal has fallen and the cursed objects lay too still on the battered ground. She observes a love stronger than death and chooses life. She goes against her own law of the curse, and chooses freedom.

Tale as old as time, tune as old as song, Mrs Potts sings over the couple twirling through the larger-than-life ballroom. The truth is, we are in that tale, the story as old as time, the song older still. The God outside time who made us for the great wide somewhere, made us for more than this. Made us for glorious relationship with him and with each other. J.R.R Tolkien said that we’re all searching for an overarching story, a story where things are made right in the end, because that will be our story, where justice will be done and mourning will be no more. That’s why we love stories with happy endings, we want things to be resolved, we’re desperate for injustice to be wiped away and for the poor village girl to get her prince.

I love that they added some words to Tale as old as Time in the new version, right at the end. 'Winter turns to spring,' sings Mrs Potts, 'famine turns to feast.' How glorious a picture of our faith and the hope it holds, the life in its fullness offered, the transformative power of the gospel.

May we know our winter turning to spring, our famine turning to feast. May we choose to live in the story which will end with love winning. Even though we're in the battle still, the conflict where the beast is still trapped in his enchanted cage and the village girl is desperate and afraid, we’re trapped in our seasons of pain and mourning and fear, yet may we know times of provision and laughter and hope as we wait for the story to come to its yearned for climax, the ending which carries us through to eternity in a contentment we can’t even conceive of in this life.

Tale as old as time? Or a story even older. Song as old as rhyme? Or the song which streams through history and beyond, bringing redemption and restoration, hope in the darkness and as many second chances as we ask for. Irradicable, indestructible hope and love which never, ever fails us.

A Walk Through Sacred

On the last but one night at New Wine 2016, I took a walk through the camp.

A normal stroll, an everyday thing. An achievement for me, certainly, but it turned out to be so much more, because the ordinary hurtled me headlong into the sacred.

It was a balmy evening, the last rays of sunshine bathing the showground in a gentle light, the only sign of a huge deluge a few hours before a few puddles where welly-clad toddlers jumped with joy. I walked past Stomping Ground where a crowd of 8-11 year olds were doing the Cha-Cha Slide, playing arcade games and getting their nails done. I walked on past Boulder Gang and Rock Solid to the Youth corner.

I felt old.

Vibe was very loud and Flava full of gangs of happy kids, and outside were crowds of teens doing that preening thing at one another. My daughter was highly embarassed by my very presence, so I walked on, recalling how earlier, me and a friend had been thrown out of Thirst ('we don't do adults here') and were quite relieved, really. They didn't have any chairs and it was a bit smelly.

I stopped for a second to breathe in the air, the atmosphere full of joy and shouts of laughter, of hope. That's the word. Hope soaked the place, and I began to reflect that this might be something of what the Kingdom is like.

I walked past the Tearfund tent where a late night singer-songwriter strummed his guitar, his plaintive tones echoing out into the night. I watched as folk in the cafe relaxed to the music, and more crowds spilled out onto the pavement outside, chatting and drinking and laughing and singing. Smiling at me as I strolled past, taking it all in.

Then there was Hungry, where people were still utterly lost in worship, abandoned and glowing as they did what they are created for. This is the quieter venue and the sound was beautiful, violins singing on the breeze and husky vocals carrying the hope onwards.

In the food court opposite, long tables were packed with people enjoying a hot donut or a tray of chips. I wondered what the food sellers thought of this bunch of crazy Christians. I wonder if they saw anything different. If they saw Jesus at all. I hope so. I think so.

I ambled through to the Impact venue which was still rocking big time, the young band giving it their all with their techo-drums and beat-boxer, lights streaking though the tent and out into the night in rainbow colours, touching every corner and every heart. The more energetic worshippers among us were pounding the boards in there and the hope was tangible. The freedom more intense than can be described.

On past the Marketplace where dozens of organisations represented their tireless work for the poor, the persecuted, the vulnerable, and where art and creativity in many forms were celebrated. At the centre of it all the Flame International cafe buzzed with more laughter and even more hope.

Walking through past the now quiet Groundbreakers, the sounds of the Arena drifted up the avenue; the place where a little earlier I'd encountered God in profound intimacy. Now the Late Night Live band blasted out 80s covers in style and I jigged a (little) bit.

The sounds of a night alive with joy faded as I carried on and came to the Open Doors refugee camp, where people were gathered in the falling dusk with candles and prayers, interceding for refugees worldwide. Something in the juxtaposition of the fun and laughter with this tender and heartbreaking scene brought me to tears, reminding me of how God's Kingdom will be a place where there is no more pain, no more mourning, no more tears. Where there is joy and life and laughter and peace, for all eternity. The glimpses of how this would look were paired with the bittersweet beauty of God's people in prayer for those who are in the most desperate of circumstances.

Come soon, Lord.

As I walked on past the camp and into the more residential area of the showground, I passed the Pebbles marquee and stopped for a moment, my mind racing backwards to when my children were little. Toddling through Gems, running free and joy-filled through Pebbles then pelting into Groundbreakers, their little hearts so full of all they learned, their legs tired from jumping and playing and dancing. I reflected on how blessed we were to have New Wine as a home for so long now. This is the first year they are both out of the kids' stuff and into the youth, and I was a little bit sad, but more than a little bit happy, too. And to see the girl go and work on the Pebbles team, giving something back, was the most amazing thing. She's now New Wine team-hooked forever.

So then I walked through this mini-city of tents and caravans, pockets of laughter lighting up the night, and thought again of God's Kingdom, of how everyone is here together to worship, to be united, and that is only the smallest glimpse of what it will one day be. I wonder if there will be so much mud?

I walked through the hope-soaked sacred that night, and it changed me, again.